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By Bill Dobbins. There has been a revolution when it comes to fashion, style and the human body. Muscle has suddenly become chic. This - began with men, and now includes women. Suddenly there is worldwide interest in women with muscles, female bodybuilders and women with sexy, lean muscular bodies.

Nude female bodybuilding photography

Nude female bodybuilding photography

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By Bill Dobbins. There has been a revolution when it comes to fashion, style and the human body. Muscle has suddenly become chic. This - began with men, and now includes women. Suddenly there is worldwide interest in women with muscles, female bodybuilders and women with sexy, lean muscular bodies. This trend appeared first in the movies.

Sylvester Stallone trained with a champion bodybuilder to create the sculpted physique we saw in Rocky II. Arnold Schwarzenegger, by far the greatest bodybuilder of his day, appeared on screen in Conan The Barbarian and raised the bar even further.

Nowadays, no self-respecting action film hero could expect to make much of an impact without a hardbody and a great set of abs. People watch Jean Claude Van Damme for his physique, not his acting. Before the advent of modern bodybuilding for women, even female Olympic athletes were rarely that muscular. People admired the muscular legs of female dancers, but not their deltoids or biceps. The United States has long taken the lead in bodybuilding for women, followed by Germany and the Scandanavian countries, but now we see an increasing participation in the sport by women from Eastern Europe and Asia.

You rarely see this reported in the major newspapers, magazines or on mainstream international television. Olympia title, and the size and enthusiasm of the growing world-wide audience for female physique will be evident.

The example of female bodybuilders has had a profound - if largely unrecognized - effect on the culture as a whole. Supermodels are doing workout videos.

Young socialites in New York hire personal trainers so they can participate in the trend toward female muscle chic. Over time, they have continued to get bigger, harder, more muscular and more defined, as happens when a group of genetically gifted individuals train intensely with weights for 10, 12 or 15 years. Muscle for women is one thing - but this much stunningly visual muscle is quite another. Over and over, just as the culture seems to be getting used to the mass and muscularity of the top women pros, they move on to yet another level.

People quite often will admire a female muscular physique like that of Madonna - who can be when she chooses far more muscular than any superstar diva who preceded her - while at the same time being repulsed by the competitive female bodybuilders who have inspired Madonna and other women to develop such muscular and athletic bodies. In many cases, women bodybuilders seem to have won the battle but lost the war. Preconceptions regarding female muscle get in the way of seeing and understanding what is actually going on.

There are women with ugly muscles, just as there are muscular men who are not at all aesthetic. Ironically, people usually have a very different opinion when they actually see an attractive female bodybuilder, lean and shapely, walking through a shopping mall or along the street, wearing a tight skirt and high heels. Women like this stop traffic. The public also admires the physiques of a variety of female athletes such as Olympic sprinters, who have developed all that muscle with weights, not simply by running.

But this view was a cultural fiction. Women had to be strong in order to survive - plus they had to have babies as well. It arose as the idea of athletic competition evolved, which eventually resulted in a professional class of competitive athletes who were free to dedicate their time and resources to building harder, leaner and stronger bodies. The pro athletes who competed in contests such as the ancient Olympic Games developed bodies were highly aesthetic as well as capable of superior performance.

Their bodies became the subject of art, hence the surviving sculptures from ancient Greece of lean, muscular male physiques not to be equaled until the time of Michelangelo and the Renaissance.

The female body was depicted as soft and yielding, symbolic for the most part of concepts such as love, sex, and motherhood. Even female warrior goddesses were not presented as having lean and muscular athletic bodies.

Muscular women would have been considered unfeminine or even unnatural. In the original myth of the Amazon, these warrior women were depicted as cutting off a breast in order to improve their skill with a bow, a very clear metaphor for the idea that exercising skills appropriate to the male robbed a woman of her feminine identity.

But we are in a time in which muscle-power has lost most of its practical and survival functions. How does that affect our view of the human body?

The development of modern bodybuilding can be seen as an illustration of this principle. It was only in mid th century, when machines had come to dominate in areas where once we relied primarily on human muscle power, that a sport emerged in which the muscles of the body are developed primarily for aesthetic purposes - and are judged on the basis of mass, shape, proportion, symmetry, detail and definition, without regard to performance or functionality.

Bodybuilding is concerned with how the body looks rather than what it is capable of doing. As a competition involving aesthetics as opposed to action although competitive posing is difficult and requires a great deal of practice and expertise , it is both a sport and a specialized art form.

While traditional sports are based, somewhere in the distant past, on testing warrior skills, bodybuilding is totally about the aesthetics of the body. But even though competitive bodybuilding is a growing international phenomenon, it is not a sport that is easily accepted in modern culture.

It is one thing to admire the beauty of a statue, another to look at an actual body - especially when it is a nearly nude male body - from the same point of view. This makes a lot of people uncomfortable. It strikes many as bizarre, even perverse. Bodybuilders are often seen as immersed in an unhealthy narcissism. They are thought to be homosexual, or primarily appealing to homosexuals. America contest, although various kinds of physique contests were held long before that. But starting in , a new type of sports competition emerged - bodybuilding for women.

So while the women bodybuilders were initially well received, as they gradually got bigger and more muscular they began encountering increasing hostility and resistance - both from inside the sport and from without. There was no cultural precedent. Bodybuilding was a sport, I reasoned, in which men and women both participate - just as they do in tennis, golf, track, basketball and most other forms of athletics. So I began shooting the women and covering their contests without giving it much thought.

Besides, being a bodybuilding fan and liking the aesthetically developed muscular physique in general, I thought they looked pretty damn good. Over time I began to appreciate the greater significance of what these women were doing and to appreciate the social and physiological questions that their success raised.

How did history overlook this capacity of the female body so completely and for so long? Why is it many people greet the idea of otherwise attractive women with a lot of muscle with anger and hostility rather than simple indifference?

What are they so upset about? The same kind of arbitrary limitation that women have fought against in politics, business, science, sport and so many other areas of modern life over the past years? Actually, bodybuilding for women does seem to fit very well into the timeline of developing gender equality throughout the 20 th century.

Women began by getting the vote. They moved into science, law and business. There were gradually accepted as serious athletes. In many ways this has been the toughest obstacle of all, and the struggle is still going on. When I began shooting female physiques I was already very familiar with the aesthetics of bodybuilding.

So I had no trouble appreciating what they were doing right from the start. Once I began working with the women, I quickly became conscious of having a unique opportunity as an artist. I had access to a type of human body never before seen on the planet. It is extremely rare to discover a truly new subject.

I could create entirely unique images, or I could go back to familiar themes and create wonderful artistic tension by contrasting a new kind of physique with a familiar and recognizable tradition.

They lack the necessary references and experience. Frequently, it is much easier for most to appreciate the nature of the aesthetically developed female body in photographs than looking at the same bodies in person. I am frequently asked what I do when shooting these pictures that is different from most other physique photographers. But what interests me most is what is unique about them. I focus on what is different about these physiques, not what is similar to bodies we are already familiar with.

I often like to photograph the hyper-muscular female physique is as if I were shooting a landscape. The muscular female body is to me what Yosemite was to Ansel Adams. I often shoot at desert, mountain or beach locations, where the land is hard and harsh and the bodybuilding physique becomes an extension of the environment. I also like to create visual tension by posing my subjects in attitudes or situations that call to mind and contradict established visual concepts.

For example, an attractive, muscular women in sexy lingerie - but with her arm fully flexed, creating a conflict between her curvaceous feminine form and the mass and definition of her biceps and triceps. Unfortunately, some of these warnings have come from officials in the bodybuilding federations, whose responsibility should be to promote the women, not to hold them back.

But despite this negativity, there are more women training with weights all the time. Fortunately, my work is well known enough that many of these women seek me out for photo sessions, so I continue to have access to the best female physiques in the world. This involves competition among women with some muscle - but not too much - plus the ability to do some kind of athletic performance, which usually means a lot of gymnastics for those hoping to score well or win.

Some of these competitors have so much muscle they should be bodybuilders. While fitness competitors are not as developed as the champion female bodybuilders, many have quite beautiful, muscular bodies. I have enjoyed photographing many of them, and their photos are also included in this book. Fitness was created, in part, to develop a group of women who were not too muscular for popular, conventional taste. Bodybuilding is about the extreme aesthetic development of the body just as opera is about the extreme aesthetic development of the voice.

The sound you make also has to be beautiful - by the standards of opera, not by those of pop music. The muscular body also has to be beautiful - by the standards of bodybuilding, not those of conventional views of GQ, Vogue or even Playboy.

So bodybuilding can be understood as the grand opera of the human physique. And as far as making photographs of these bodies is concerned, in my view the more extreme the better. There is no limitation to the development of the bodybuilding physique other than genetics and aesthetics. If women in bodybuilding follow the same growth curve over time as have the men we will eventually see female competitors much bigger, hard, denser, more muscular and more defined that those of today.

But they will still be shapely, symmetrical and proportioned.

We have the largest library of xxx Pics on the web. Amateur Brunette Muscle Woman. Book A Shoot. Bill Dobbins has also started a program to allow the vast majority of female bodybuilders, fitness and figure competitors and fitness models - all of whom need photos for their websites, for publicity or to sign and sell - but who have trouble finding top level photographers to shoot with to book photo shoots at his studio or on location. Keep me logged in Login.

Nude female bodybuilding photography

Nude female bodybuilding photography

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An Interview With Bill Dobbins!

Whenever you pick up a bodybuilding magazine you can see some of Bill Dobbin's work. Bill recently took some time from his busy schedule to answer some questions for us. When I was a teenager a friend of mine was into photography and had access to a local darkroom. He showed me the basics and I found I really liked it. Over the next couple of years I continued to learn to shoot, develop and print photos and I read virtually every book on photography in my small local library.

I became the official photographer at my high school, worked for my college newspaper, shots sports photos for a daily newspaper and worked for them full time during the summer. But I went to live in Europe when I was 17 years old and I had to put my photographic ambitions on hold for about the next 10 years.

I began as a writer for the Weider magazines in the late s and realized the photographers were making much more money than the writers. When I began as editor of Flex Magazine I was able to assign myself photo work and had the opportunity for a kind of on the job training. This allowed me to develop and re-develop my skills so that I was able to compete as a photographer at a professional level. From the beginning I accepted women's bodybuilding as just another development of the sport.

Men and women played tennis and golf, and now both genders competed in bodybuilding. But it became clear to me that most photographers in the industry didn't appreciate how unusual it is to find an entirely new subject to shoot that hasn't already been done over and over by other photographers. Plus I thought many of these women looked really terrific - bodybuilders like Rachel McLish, for example - and what photographer doesn't like shooting pictures of beautiful women?

So over time I began to focus pardon the pun more and more on the women, have done two books of photos of them and currently have two websites featuring female muscle that is providing me with a pretty good living. Learning to be a good photographer rather than somebody who just knows how to use a camera is the first big step.

The next is access, because you can't shoot models you don't have access to. But being a good photographer and having an excellent portfolio is a good way to get access. Every physique competitor and industry model needs good pictures. But if you are just using a camera as an excuse to get close to exciting muscular bodies you aren't likely to get very far. The only way to do that is to pay the models rather than shoot on a "trade" basis because they know your photos won't get them any exposure or be good for their careers.

Read Bill Dobbin's portfolio here. Women's bodybuilding has the potential to be bigger than bodybuilding for men over time - just as women's tennis and gymnastics has gradually gained more popular appeal than tennis and gymnastics for men. After all, who do you think would be more interesting to the "mass public": beautiful half naked women oiled up and flexing on stage or muscular half naked men? But success in this regard doesn't just "happen. However, the bodybuilding federations and the magazines are doing a terrible job when it comes to promoting female muscle - in many ways even seeming to work against it's gaining in popularity.

As it is, female muscle has totally won over the culture, women athletes are more muscular and defined than ever, actresses and models all work out with weights, but the women bodybuilders who started the whole thing are not getting the credit for this they deserve. Nowadays, women with buff, beautiful bodies get lots of praise as long as they are not categorized as bodybuilders - which is a terrible shame.

Do you think Chyna would have been on the cover of Playboy twice if she'd been identified as a bodybuilder rather than a wrestler? The first thing to do is for the industry to stop treating female bodybuilders so negatively. Lenda Murray has won 8 Ms. Olympia titles. Where exactly are all the photos, stories and covers celebrating this? Plus there's the matter of prize money.

I'm not against contests including fitness and figure, but the real paying audience is there for the bodybuilders and it is a disgrace to give a figure competitor, who has done so little work compared to a serious bodybuilder and devoted so relatively little time and effort to developing her body, the same amount of prize money you award to a real physique champion.

Not only that, but although its true there is much less sponsorship for women's events than for those featuring male bodybuilders, some of that is the result of the federations and promoters themselves recommending to sponsors that they put their money behind the men and not the women - and some of the difference doesn't really exist, but is an exaggeration used to justify not paying the women what they deserve.

They have hold of a golden goose and to a large degree they are ignoring it. That's very short-sighted in my opinion, as well as bad business. I tell all the women the same thing: Pay no attention to what the federations or the judges think they want at any given time although remember its bad politics to argue the point and instead simply try to be the best bodybuilder you can be.

It takes a long time to achieve your potential in bodybuilding - usually 10 years or more. You can't keep changing your mind about what you are goals are. Bodybuilding is about developing the maximum amount of aesthetic muscle you can. Aesthetics involves things like shape, proportion, symmetry, definition, muscle separation and so forth.

It is aesthetics you are supposed to be trying to achieve, not silly and impossible to define terms like "femininity. But there is more bad advice out there than good and in the end you are going to be the one on stage, not your personal trainer, husband or boyfriend. Arnold always had a great attitude about this. He was able to be self-confident and self-critical at the same time.

Ultimately, you have to be both to achieve your best potential. Is it good or bad for the industry? Actually, it's a shame that we live in a culture where ALL bodybuilders don't pose in the nude. I've done some nudes of male bodybuilders as well as female and you'd be surprised how much bigger and more aesthetic they look when you don't have the line of the posing trunks cutting across their hips.

But given the culture we do live in the US more than Europe, which tends to be less puritan it is important to distinguish between nudity and nakedness, that is between the figure study and a depiction of the body intended to be erotic in nature. A famous art historian once wrote that the true artistic nude is not sexual in nature, but that any representation of a beautiful body is going to have a sensual element.

In my case, the nudes I do are usually the least sexy of my photographs. I approach nudes, especially BW photos, almost as if I were shooting landscapes. I'm interested in all the details, the undulations, the way one muscle sweeps into another. In any event, I have my approach and others do it differently - and photos of beautiful women, some of them nudes, are all over the place.

Especially now that we have the Internet. So the "industry" just has to go along with this like everyone else. Anyway, times have certainly changed. Pam Anderson was seen around the world on a sex video and was given a new TV show right afterward.

And I haven't noticed Paris Hilton being exiled to a nunnery. However, I do think it is interesting that a few years ago people were claiming that female bodybuilders weren't sexy and now the complaint is that they are too sexy. I guess that's a kind of progress. Bodybuilders doing private wrestling sessions is nothing new. The male bodybuilders have been doing it for decades, just not getting the publicity for it.

In the vast majority of cases, these sessions are little more than guest posing jobs for an audience of one. Fans get a chance to meet the women up close and personal, watch them oil up and pose, in some cases wrestle - it depends on the individual. There are a few women who will engage in some kind of sexual contact but the rest of them hate that this happens because it creates a perception they all do it and makes their job harder.

But it is also a fact that the number of women doing personal sessions only some, by no means all is a direct result of the efforts made over the past 8 or 9 years to stifle the development of female bodybuilding, keep FBBs out of the magazines and generally make it difficult for them to earn a living.

This goes back to the fact that real fans of female bodybuilding are willing to PAY to see women they admire - pay to buy magazines, pay to join websites, pay to buy photos, pay to see them guest pose - and pay for private sessions. Any businessman will tell you the best way to measure the success of an enterprise is whether or not it makes money. Female bodybuilders have the ability to generate income, for themselves and for businesses that use their services.

The industry should take more note of this. That's what the lesson of private sessions is to me. Plus the magazines were using fewer and fewer female muscle photos and losing circulation in the process, although I could never get them to see the connection. So I sat down with a simple website program and created a 65 megabyte site in about three months. Fortunately, I had a huge amount of content to work with - tens of thousands of photos. I was amazed when the site started making money from the first day.

Who knew there were so many people around the world interested in female muscle? The site is still doing well, although I think it would fair better against the increasing amount of competition if prospective subscribers could see the HUGE amount of content it contains - now up to 5 gigabytes, maybe 30, photos it's hard to count. I have since created the Female Physique Art Gallery www. The trick to doing this kind of photography well is to try and make it so that whoever you are shooting today is your favorite model.

When the model starts looking better and better throughout the shoot and at the end of the session I am really excited by the photos then I know I've done a good job. Actually, I've had the good fortune to shoot many great women bodybuilders, fitness and figure competitors, and my relationships with all the women I photograph tend to be first rate.

I wish I'd gotten along as well with women when I was a younger man as I do now. But I would have to say that over the years I've enjoyed shooting Lenda Murray as much as anyone. She has a great, aesthetic physique and is a terrific person to spend time with.

Lately, I've been more and more impressed with Dayana Cadeau. Dayana has the most sensuous and voluptuous physique in bodybuilding, as well as one of the most beautiful faces. The only problem I've had is getting my photos of Dayana published in magazines.

She has such tremendous "Flex Wheeler" type fullness to her muscles that people tend to think she is much bigger than she is, which tends to turn off publishers and art directors. However, at the Ms. Olympia Dayana was only pounds, if you can believe it. So although she is getting the kind of recognition she deserves from the judges, I think she's still a bit "too good" for the publications.

Do magazines contact you to take certain pictures, or do you contact them and show them the photos that you have for sale? Different photographers have different ways of doing business.

Some are under contract or work according to assignment. Others free lance and sell their pictures to a variety of magazines.

Nude female bodybuilding photography

Nude female bodybuilding photography

Nude female bodybuilding photography