Please make sure that you are posting in the form of a question. Please enter a question. Kit contains wool yarn, cotton thread, printed felt, beads and pre-sorted sequins, needle, and easy instructions with an alphabet. Also needed but not included: tissue paper and stuffing. Skip to main content.
Deals and Shenanigans. Amazon Dimensions feltwork stockings Cloud storage from Amazon. Learn more DDimensions Amazon Prime. See questions and answers. Also needed but not included: tissue paper and stuffing. Feltworks "Sledding Santa" Dimensions feltwork stockings Applique Stocking Kit Use simple applique and embroidery stitches to make a cheery holiday stocking measuring 18" diagonally Kit includes yarn, cotton thread, printed felt, beads, sequins, needle, instructions with an alphabet for personalization Also needed, but not included: tissue paper and stuffing A retired kit, crafted with pride in U. There was a problem completing your request. Custom Field. The finished size is 18" diagonally 46 cm. Big ebony doggystyle fucking one to sell?
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Current projects are a 6 inch felt grey and red stocking to be stuffed with catnip, a set of boho sashiko coasters, and a mug rug. I am currently working on a goldwork project. We still enjoy using both for special occasions like Christmas and Halloween or for romantic dinners, so it stands to reason that I would have two books on candles and candle feltsork in my craft library! Polar Bear Felting Dimensions feltwork stockings 3 Pack. This spiral-bound book, complete with threads, needles and an embroidery hoop, teaches 11 basic embroidery stitches: Straight stitch; couching stitch; whip stitch; cross stitch; satin stitch; stem stitch; back stitch; split stitch; chain stitch; lazy daisy stitch; and French knots. My current needlework projects is trying to finish some Christmas Decorations, for presents. It is a lot of fun! It is beautiful but very large! Cross- Stitch Samplers: Elegant feltwrok Timeless Needlecraft Designs in Red Hobby shops models kits Blue by Marjorie Massey My final book in this range and perhaps my favourite in the series, even though it focuses solely on Dimensions feltwork stockings samplers with no other projects in mind! Super cute! It has goldwork, shading, couching, spangles oh my! She discusses the characteristics Dimensions feltwork stockings local designs, styles and techniques; traditional uses of fabric, yarn and dyes; and universal themes like the tree-of-life, which are interpreted in different ways by the different cultures. It is a counted canvas piece designed by Tony Minieri.
Each wears warm winter hats, mittens, scarves or earmuffs and holds up their hands paws in glee.
- Many of these crafts are relatively cheap, as they use natural materials plant fibres, bread, wood, paper, wax and sand or dirt and forces hands, wind, light and can be enjoyed at both a beginner or advanced level.
- Woodland Animal Felting Kit 3 Pack.
- This is my final post on reviewing the books in my craft library and it covers the history of textiles; the regional variations throughout the world; and a few specialist books on particular areas South-East and Central Asia ; the spiritual aspects of textiles; and special time periods Arts and Crafts Textiles.
- I learned to embroider when I was a kid, when everyone was really into cross stitch remember the '80s?
Each wears warm winter hats, mittens, scarves or earmuffs and holds up their hands paws in glee. The teddy bear and the snowman share a large orange and red sled while the bunny accompanies alongside in a tiny green and red sled.
Simple cutting and stitching using the enclosed sequins and decorative beads add shimmer, shine and texture to this project! You add the lucky recipient's name in blue or another color, if you prefer. Use the enclosed blue felt to fashion a matching hanger and green and red yarn to have make real tassels for these characters' scarf. Perfect as a personalized Christmas stocking and great for any lover of sledding, teddy bears, snowmen and bunny rabbits!!!
The finished size is 18" diagonally 46 cm. Created with Sketch. Toggle menu Gift Certificate Login or Sign Up 0. Darice M. Shop by Category See What's New! You save. No reviews yet Write a Review. Current Stock:. Quantity: Decrease Quantity: Increase Quantity:. Share This Article. Kit No. Product Videos. Custom Field. You May Also Like Quick view.
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There is a wealth of design ideas from flowers, fruits, animals insects, snails, birds, fish, shells, marine life, tortoises, mice, sheep and cats , feathers, bows, stars, hearts and snowflakes to fairies and angels; Matryoshka dolls, toys and childhood games; figures and leisure activities; silhouettes; the built environment houses, windmills and lighthouses ; teapots and teacups; sewing tools; nautical and seasonal themes; and Christmas, Easter and Good Luck symbols. She gave me the opportunity to stitch it and I often think of her as I stitch along. However, if you need some inspiration or ideas for projects, then this book should help! I am trying to finish the cutest chihuahua pillow. It is basically a form of drawing with thread and allows for much creative freedom in interpretation of subject matter, as well as a degree of three-dimensionality if desired. Stitch With Love: 11 Simple Stitches and Over 20 Easy-To-Throw Projects by Mandy Shaw This is also an excellent book for beginners, but all the designs are limited to and executed in red or white on cream, ecru raw or unbleached or red linens, cottons, wool and felts, which looks so effective. My current needlework project?
Dimensions feltwork stockings. Old Roses, Creativity and Life in Candelo
I am working on a series of monograms from your collection of different types of monograms. The colors are bright and beachy we live near the beach. Corals, Blue-greens, and some gray for a little contrast. I am using linen and a variety of threads, silk, cotton, metallic and wool.
One or two are shadowwork. I will frame some, use hoops for some. Both are uncomplicated and great to work on while doing some holiday socializing! Hello, again, Mary. Thanks for another chance to think lovely thoughts instead of not-ready-for Christmas thoughts. My most current WIP is on a bit of red on white toile fabric; embellishing with deep red, purple and undecided embroidery. I am also wanting to piece a feathered star quilt block to see if I might have the tenacity to do an entire top.
Thus I am cobbling up a decorated toile feathered star….. A lot of the project involves finishing because of the numerous needlework smalls disguised as old fashioned toys. I was just putting together a bunch of stuff in my head, but now I have a deadline — my quilting guild has assigned us to do a block about family, and I though I might embellish a portrait of my great-grandparents crazy-quilt style.
See, when I do these old-school crafts, I have to add a touch of technology to it! This is a multi year project. A Masochists stocking in old gold fabrics with gold and burgundy stitching. I want this one done by his birthday in April as I now have another grandson and want his done by next Christmas.
No restt for the weary!! As the theme is awfully cute animals in the forest, there are lots of leaves, ferns, grasses and flowers to stitch. I like that she has suggested stitches none of them difficult but that there is room for choosing my own threads and stitches.
I like the larger scale of the work often perle 8 so I can take it many places to work and not worry overly much about perfect lighting. Both daughters have stated that I may NOT give it away.
There are somersaulting foxes, courting hedgehogs and a choir of mice among the inhabitants. I am stitching several projects: one is a Hazel Blomkamp crewel design using floss, one is a heart border using an iron-on pattern and various threads, and the third is a small silk panel of a flower garden using machine stitching as well as hand embroidery in a variety of threads. The latter is my own design. Thanks for another wonderful giveaway, Mary. As soon as I finish putting some finishing stitches into a quilt for Christmas, I will return to my embroidery project of finishing a butterfly edged pillowcase for my mother.
I am not long finished the Jacobean element of my RSN certificate and diploma course and starting the canvas work modulei January. I designed my Jacobean piece. I am a big fan of French knots and sally manage to fit them in somewhere.
I love stitching with silk threads. Stitching keeps me sane. A very Happy Christmas and a wonderful I have several current projects — cross stitch, crewel, and I have several flour sack kitchen towels stacked up with designs to do.
My favorite project of all right now is a pair of pillow cases I am using to learn needle painting. I figure if they do not look good at first no one will care except me but I have been amazed at myself as I can see progress. I can see that I am learning and growing with each petal and each leaf. I can see the mistakes on the last flower and the next one will look even better.
It is reassuring to be able to visually see my learning experience. And, I would not have even started this if it had not been for you, Mary. Thank you from the bottom of my heart for giving me the courage to step out of my box. I always look through stitch dictionaries for inspiration, but they will be floral designs, with perhaps a bit of metallic or beading accents.
I recently picked up the RSN book on beading and it is super inspiring! Then my sister-in-law will do her thing with the actual sachet contents.
I am currently working on two several projects. I like it because it is challenging and easy to transport. I like the design and trying new techniques. For both of them, I need quality time. I like that the project is broken down into blocks. Thank you Mary and Access Commodities for this giveaway. I have three ongoing projects. One is a series of Christmas ornaments that are meant to look like jewels.
They are small diamond shapes, stitched with metallic needlepoint threads in a counted technique from a Ukrainian magazine a friend gifted me. The original pattern is for a long table runner, but I am only using one of the pattern repeats and using gold or silver thread in French knots where the pattern calls for the fabric to show.
They look like small beads. The second project is a printed cross-stitch of St. A church friend gifted it to me. The last is a cloth to cover our Gospel book at my church. I am currently stitching on a fun project, but it is not really elaborate.
It just outline stitches, but I chuckle while working on it. My current project is a jacket for my husband. So, I shibori indigo dyed remnant and recycled linen. Then I sewed all the pieces together and then Sashiko stitched them.
Now, I must practice welt pockets on a scrap. Back to work. I am also trying to finish up a couple of smaller UFOs in preparation for the new year. I am working on a four piece Christmas needlepoint train for my grandson. I also have a patriotic one for my daughter-in-law. One is the baby blanket from Susan Connors Monograms book. It is an Old English D with curved leaves over and under the letter. The other project is one I designed myself.
My current project is a metalwork and silk snowman I am stitching on a light blue silk for a wall decoration. It is my first foray into working with metal threads. It is a wonderful project that is fun to work on at this time of the year. I created the pattern from a photo of a pillow I found on the internet.
I am not currently working on any stitching as I am too busy practicing the music for Christmas Eve services. The Madonna and child, Joseph, and one set of shepherds are stitched. Beautiful threads, Mary! I have several pieces in the works at the moment including a blackwork piece, a canvas piece and 2 Japanese Embroidery pieces. Have a wonderful holiday! Hi, Mary! As I indicated, most of the stitches are freehand, blending colors and textures as I go, although I do sketch out on paper an approximation of each motif.
Thank you, Mary, for these Stitcher Christmas chances! Oh, how much fun these threads would be. I started with thread painting Raptors Birds of Prey. Working on this project alternately drives me crazy and gives me peace of mind.
I am currently working on a crewel embroidery from The Crewel Work Co. I use many of the Appleton wools but sometimes substitute some silk threads as well — it give some nice shimmer with using metallic threads. Next up is to work on my class from Thistle Threads — Cabinet of Curiosities. It is a learning piece. I love this style of floral ornamentation. I currently have two projects I am working on. Shocking I know. I am almost finished with an Apple Hill Design I started a while ago.
It is a block from a quilting pattern of two different poppies. The needlework involves, satin stitch and stem stitch which I love to use for outlining because of its ropey design.
Something about that stitch satisfies my sensibilities. The colors are soothing to the eye as well. After all, I can make another. I am working on a crazy quilt called , Everywhere Flowers. At my local EGA silent auction, I picked up an unfinished cross stitch project that I recycled into a beautiful center block. The other eight blocks have a flower center embroidered with different techniques.
Hi Mary, I am just about to commence a project that will probably evolve as I stitch it. It involves beads, gold threads and some coloured silk threads, possibly with some purls thrown in as well. The plan is to embroider a necklace using all of the above, in an abstract design. I think I will start off with the focal point which is a cabochon and work out from there.
Who knows what I will end up with, but I know I will enjoy the process anyway. I found the quotations online. I used my computer to print them out using assorted fonts.
I then traced the pattern onto the towels with my light box. Great fun and my first try at applying leather over felt padding! My technique could do with some work…. I just got back from India where i learned loads of new stitches and also bought 13! The design is my own. The challenge right now is to not try to put everything in at once, to keep an eye on the visual balance. I am NOT using a frame for it — preferring it in hand. I am currently designing an iris project in stumpwork — my 2nd attempt at design, 3rd stumpwork piece, and 1st iris — LOL!
Presently i am working on the wedding dress, which is covered in silver metalwork. For an 83 year old lady three weeks of packing and moving heavy boxes was much easier than reducing my lifetime fabric and needlework stash to what I can fit into my new much smaller digs. To stay sane I ordered the blackwork online course from the Royal School of needlework and have been plodding away at it for thirty minute intervals between bouts of lifting and hauling. I did blackwork 50 years ago with Nantucket School of Needlery and loved itscrisp, geometric qualities.
However, some modern blackworkers are changing the form quite a bit. A lot that I am seeing shares a current embroidery obsession with achieving extreme reality of images.
That has triggered a style in which shading is achieved by varying the weights of threads used or bu only using a partial pattern in shaded areas. As a result there are places where the heavy threads fill in the pattern completely so that the pattern is obscured, or a partial pattern makes the pattern unreckognizable.
In the preoccupation with realistic imaging and the use of a round hoop there is often a failure to think about composition, resulting in plethoras of vignettes against a blank space.
As a visual artist this gives me much to contemplate. Love that I can see the 18 ct canvas holes. The speciality stitches are so nice and the Autumn colors are so pretty. Working on two class pieces from Jennifer R. Beets and Radishes; both incorporate forms of stumpwork. Thanks for the chance to win. Merry Christmas. My favorite parts of it is the little witches hair that I am doing with bullion knots in varying shades of red, blond, brunette; and the broom bristles which will be in the straw thread.
I just love it! This runner was originally done by my teacher. I loved it when she showed it to me, so I decided to make one for myself.
I made gift bags with tree designs. She is in her wedding veil. This is a very detailed design on Congress cloth. The back ground is stitched twice with metallic accents. The face is very detailed giving her face a very detailed look with a wonderful skin tone.
She is bejeweled. I am doing them in goldwork. I have made a green and purple one and my next cloth will be in white. The colours coordinate with the liturgical calendar. The fabrics are synthetic but look and feel a lot like silk. I chose them over silk because they will be in a hallway with many little hands around. I have been doing goldwork for about 20yrs.
Mostly other peoples designs but these three projects are my creativity finally finding the courage to break out. What a lovely giveaway and I love knowing about these new to me products. I have no needlework shops anywhere near me so I typically order online to get the supplies needed or if I travel I try to get to a shop along the way.
I have also discovered by doing this, that I do not enjoy working long and short stitch! Too stressful! I am planning to put it all in a book, and have started on 22 count evenweave with a bedrock geology map of Lincolnshire done in simple cross-stitch [complete with a legend and annotated]. Planning to take around 9 months all told. Inbetween that I also have a birth sampler to work on, once I know what the details will be!!
Since I am the leader of the group I had to get the various areas stitched each month before the meeting. We have learned Italian four-sided stitch, buttonhole stitch, the casalguidi stitch, double detached buttonhole and the peahole stitch. It is a wonderful project and the techniques that you learn can be used on so many other projects.
The focus was on mixed textures — an original abstract design with sections done in counted work and other sections stuffed full of raised and textured stitches.
Even though counted work is my nemesis, it went easily and I am trying to fill in the more free form areas. Sometimes finding balance within freedom is the hardest part. Thank you for this blog! I am working on a reproduction 18th century pocket for a costume, wool crewelwork of flowers and vines on linen, the design inspired by the pocket at the local museum.
I have several projects in the works. It is silk and goldwork. What I like about this project is how the silks feel and look. I like the use of different stitches to give illusions of depth and color.
I have been working on this off and on since my grandkids where babies. They are teenagers now. As they grew, I would have them stitch a small area and would write their name and age on it. I love pulling this out every christmas season. I love the look the beads give to plain fabric.
I have several more but that would fill this small box! Thank you for all you do for the embroidery world!! Barbara Downey. I love the rhythmical sewing, or piquage and the challenge of having each stitch of equal size, and the feeling of the pure cotton batiste.
My next adventure with Boutis will be using silk as the base but perhaps on a smaller piece! Currently I am doing a couple of cross stitch Christmas patterns. Hope you have a great Christmas! The letter W for my granddaughter. Not going to make it for Christmas…. I am currently working on a Harry Potter Deathly Hollows wedding sampler for my neighbor.
It is in gold and silver her wedding colors with some beading. They are both Harry Potter fans so I hope they love it!
I am currently working on a purse flap using silk and some metal threads and shisha mirrors. I am creating the design as I go. Love working with metal threads. My current main project I have two others on the side at the moment is the 12 Days of Christmas cross stitch designs by Teresa Wentzler.
The designs are even prettier as I get them stitched up than in the pictures. Current stitching project — I love this question less than a week before Christmas. I have a small project that I got some stitches into between performances this weekend that is a little canvas ornament designed by a fellow guild member.
There is no gaps in the design so it is more like a needlepoint project only I have to follow the pattern on the chart closely and cross every stitch. I keep working on smaller projects that finish quicker thus the long delay in finishing it. I bought the Mary kitchen towels and made a gingerbread man as a thank you for a friend who hosted a Thanksgiving meal.
It was so much fun to stitch with all the pretty DMC threads and not have to follow a chart for a change! Thank you for your inspiration and tutorials you have provided! My current project is a Christmas theme project. I am a Spode Christmas Tree junkie, and several years ago I found a cross stitch chart for the Spode tree. I am finally stitching it. However, when I get to the ornaments, I am planning to use some sparkle — maybe Kreinik, maybe Rainbow Gallery, but definitely from stash, so it depends on what I have that works.
And I decided to stitch it on a piece of 27 count evenweave that I had in my stash. They are wool mouse pincushions designed by Brenda Gervais. No embroidery, mostly just sewing. Soon I will be back to more embroidery projects as part two of their gifts are wool covered tape measures designed by Ewe-niversity. Nothing fancy, just sort of a patchwork of stitches in variegated and handpainted threads.
The other is crewel embroidery worked in Medici with a little tulle thrown in for a misty effect in certain spots. I guess that keeps it from being true crewel embroidery, but I like it.
Self-designed, or composed. The butterflies are adapted from some of Helen Stevens designs. I particularly needed a blue butterfly so I made it similar to one of hers. The only blue butterflies I have ever seen.
At the moment I am not working on a stitching project, but I did finish a quilt label for a quilt, gifted to my daughter — letters all hand-stitched with he info on it! Mostly back-stitches, which work beautifully for lettering! Hi Mary, My current projects are a few tea towels done in Swedish weaving patterns which I give away as gifts.
The other project is a small embroidery bag from a pattern by Gail Pann from her book Patchwork Loves Embroidery.
Quick projects for people you care about! Cheers to all from Canada! I have 2 projects going currently. It is designed in the style of the Bayeux Tapestry and features the Bayeux stitch. Very interesting and fun to do. It has been knocking around in my stash for more than 25 years.
I always wanted to do it but never found the time. I am stitching an improv embroidery project — pearl cotton on wool — taught by Laura Wasilowski at Quilt Expo in September. We drew a shape, a bird for me, transferred it to the wool and started stitching. I have used outline stitch, French knots, fly stitch and running stitch so far. It is bright, cheerful and fun to work. The wool is really nice to handle now that it is so cool out.
The kit is by Dimensions. I also have a few hardanger angels at various stages from a morning I led at my local guild. The chart for that was in a book by Janice Love but credited to Rita Tubbs.
My current needlework project? There are quite a few that are being actively worked on. We are using gold wire and gold passing thread on those so far.
I am also working on her stumpwork mirror, and am pulling out new threads every day. Two days ago I did a caterpillar.
I am currently designing a piece based on pearl and gold work on a Russian Kokoshnik. I am stitching two small samples with different materials before I make my final choice. I am also doing a small silk ribbon rose practice piece and a painted silk landscape design piece…..
Quite a few others in the rotation, but these are the ones that have been active in the last two weeks. Four cute ornaments embroidered on quilting cotton and then will be put into a covered button and wrapped in cording and then be ready to hang.
It uses traditional embroidery stitches, nothing too fancy. I love the tiny linen and love the effect of it when it is done. I also add a few others stitches to add dimension.
The colors are bright, especially the eyes of the jaguar metallics, of course! The stitches show off the fur and rosettes, the stone of the carving, and leaves and vines everywhere. My project is a large cross stitch x stitches. The first large project I have attempted. I love working with different threads and like to change the designs to fit a particular project. I embroidered all the birds on white cloth, then cut out sections to fit the tri-fold of the needlecase, and used a blue Batik for the background.
I am embroidering concentric circles all over it in pale greens, blues, and beiges. I like the creative freedom of designing each circle set. After completing my holiday gifts for others this is for me. I am enjoying new to me stitches, Palestrina stitching on holly leaves, that trick to reverse threads of variegated brown thread is sweet; and blending threads on the evergreen! My padded satin stitch dots are improving by leaps and bounds.
I put the small corner by the corner with hanger and opposite the most complex design. It is a study in shading and uses 4 shades each of red and green, blending threads to come up with 7 different shades of each color. It is almost finished and the result of all the shading is really beautiful. I am working on a camel with all the trimmings — blankets, tassels and harness. I am using stranded Anchor cotton for the body and the blanket, tassels etc.
Designed by Roseworks South Africa and printed on linen. My daughter is getting married next May, and she has asked me to make her bouquet together with flowers for her girls, and the table decorations. They are embroidered on felt and embellished using beads, crystals and lace, in pastel shades. I am thoroughly enjoying making them, and each new bloom is a challenge. My current project is a Just Nan pattern, Spring in the Tulips. It is one of 4 patterns, each of a different season.
WHICH current embroidery project? Using bright pastels, and doing my best to work bullion stitches for the roses — kind of a challenge. Flowers, holly of course , and I might do one with sheep as we used to raise sheep.
I am working on 2 projects at the moment, soon to be 3. The 3rd will be a x stitch full coverage waiting for new magnifier light to arrive, ordered yesterday! The x stitch is based on an old painting, called Pensive Moments, girl on a balcony with vining roses around it. Combo piece is by Cross and Patch and will be gorgeous I hope. It will go into art shows in the future. I would love to win those threads to try.
Who knows what they might work out to create in my paintings! The ornaments are a great stash buster and I am stitching with a combination of basketweave and specialty stitches. I am incorporating a lot of different threads to add texture and contrast as the ornaments are small. I am also using some crystals and beads to add a little bling. For the tree, I have not decided but am experimenting with overdyes and stitches. This will be a gift to my grandchildren next year. Some are darned on net, some done in Soie Perlee on linen.
The thing that is hanging me up is the front door of the project. It makes it so hard to see what I am doing. I did like learning other stitches like the raised cross stitch and cloud stitch. I love these simple projects I make for my grandchildren. I am currently working on a Christmas stocking. In the process of packing and finding room for everything I left half my beads and my beading needles behind. So quickly running around finding what has been left behind.
I always work on something simple during the holidays. No stress. I can pick it up and put it down. They are printed pictures that you embroider and they are nearly finished but I find I keep wanting to add more stitches new ones I have learnt we change a lot of 20 years…also so many new embroiderynthreads to use….
I was working on a counter cross stitch project of a cat on a bookshelf. Each square has a different horse figure done in backstitch. My current stitching project is a beaded Christmas tree. I almost always design my own projects as following a pattern goes against my creative nature. The colours I am using are nontraditional Christmas colours but ever so pretty. Unfortunately, I am not working on a project.
I am working on one particular project. It is an original based upon a sight that I saw in December I am stitching this entire scene with turkeys and a deer but not with me included. I am using mostly surface stitches. Felt is the foundation of a few turkeys in the foreground. Stitching will cover the felt. I want the deer to be unnoticeable as possible. Hi Mary, Wow this looks amazing! I am currently working on a turquoise serpent of my own design in silk and goldwork.
I have made the decision over the last couple of months to really try and specialise in goldwork with silk shading as those are the 2 techniques I love the most. It would be amazing to see what they feel like, and see how they behave when seen. They look so divine on your photos. It has been very difficult as there are so many colors, and very confusing. A friend suggested I do the outline stitches first and that is helping so much. I bought the kit at Hershners.
It will probably take me another 6 months to finish as I am always working on several things at one time. I enjoy designs that have a variety of stitches. This design meets that criteria. Contact the author if you want to do Norman! I love needlepainting and her designs fit the bill! I ordered a few kits from her a couple years ago and am finally getting to them after finishing all my Christmas stitching.
I find I can stitch in small increments of time with my bright floor lamp and favorite chair! It has goldwork, shading, couching, spangles oh my! The decorative chain is black wire twisted into a helix making for wonderful texture. The project is smaller apx 3 inch X 5 inch yet lush so it is working quickly. It has been a treat to stitch this project with generous supplies, pattern outlined with gold dye-it is sumptuous.
I have been working on small, simple designs for a dozen handkerchiefs. All collected from free internet patterns. I am working on two projects right now. Finishing Jennifer Riefenberg. Fun stitches and threads. It will go with carrots and beets. I am also working on a Bargello two sided purse designed by Michele Roberts. Laying all the treads takes awhile but the effect is fabulous.
I am currently setting things up to stitch the turtle in Crewel Creatures. By Hazel Blomkamp. This is my first attempt at delicate crewel and nearly my first attempt a crewel. Finding just the right threadsand hoop, preparing the fabric for stitching. I try to repurpose things. I get fabric from a fantastic organization that rescues and distributes fabric samples that would otherwise go into the landfill.
Often the samples are fine linens and cottons and silks. The organization opens at least monthly and you can go in and fill a grocery bag paying what you want for your treasures! I am working on a cross stitch project depicting my family. There are several places to find patterns but then I personalize them. Like my husband liked to fish so he has a pole in his hand. The project I am currently working on is a cross stitch picture called Madonna by Bucilla.
I saw it many years ago but when I eventually got to being able to buy it it had been discontinued. A few years ago I saw it for sale on eBay and I was so excited cited when it arrived!
Now, it is nearly finished. I often think of that person all the way in America who was able to buy it because she too loved it as much as I did. I think she must have been quite new to cross stitch. She gave me the opportunity to stitch it and I often think of her as I stitch along. It has given me so much pleasure to stitch. I am currently working on a goldwork project. It is a butterfly using the Or Nue technique and was designed by Alison Cole.
The wings are stitched separately then cut out and set onto the body. I would love those threads you are offering as it appears they are no obtainable in the UK. A big red monogram on Winter white. There is an open bar that will be filled with evergreens an a variety of threads and stitches. My current stitching project is a metalwork project that I am designing myself for a correspondence course about silk and metal work.
These supplies would be just wonderful to incorporate into my sampler. So far I am using Japanese gold 3 and 4 for outlining the sampler with couched threads and also an inward circle. I still have some decorative couching using silk thread and my central focus point to design and stitch.
I am stitching it on cream silk dupioni. I am currently working on Tiny Treasures, an Elizabeth Almond design found on her website. It is a black work design the second one I have stitched from her website. It is a year long project with new patterns to download on the first of each month.
I am loving it! I am currently working on a self designed sampler featuring laid gold work techniques. The aim is to teach the piece so people can familiarise themselves with not only or nue but diaper couching patterns, underside couching etc.
I am putting the finishing embroidery on a Bountiful Basket quilt, pattern by Pearl Pereira. It features 50 state flowers, each in its own basket, a large central basket and vine border which feature twins of the same 50 flowers. I will use the stem stitch to make veins for all the leaves. Embroidery enhances most of the flowers on which I have used French knots, chain stitch, and stem stitch. This project, begun last summer should be ready for quilting by February and it will be in our local Quilt Show next June.
My current stitching project is a stumpwork portrait of my family I designed myself. It was supposed to be my moms Christmas gift last year, but hopefully it will be done in time for this Christmas!
I am currently working on the Dorcas Haynes Sampler. It is a reproduction by Scarlet Letter. It is a beautiful and quite densely stitched Sampler worked in counted work which includes several quite complex stitch arrangements.
I was hoping for an end of year finish but it appears to be coming with me into Thank you for the giveaway! A store in our downtown area had a pick Christmas tree one year and my friend went nuts over it. This was totally out of character for her as far as fashion sense in colors go. She always wears black, gray, white, ivory in some combination. Her house is decorated in neutrals with a pop of color every now and then. Her husband was thrilled that she wanted something colorful so he bought it for her several years ago.
We had fun choosing ornaments for it. With grandchildren and their love for taking everything off a tree, playing with the ornaments… you get the picture. Now she has a shorter, smaller tree with no decorations. I decided I would make ornaments for her tree so she can start a new tradition of decorating a tree on Christmas Eve to celebrate the twelve days of Christmas through to Epiphany. I used wool batting to stuff them and I made bias tape to cover cord to pipe between the seam as I sew them together.
One is a hardanger Christmas tree designed by Mamen. I belong to an ornament exchange group and theirs are all done and delivered but am finishing mine. Little 4 inch design for each month of the year.
They use a lot of different variegated threads or you can use dmc and I was able to find a pack of 12 — 4 inch frames so I am finishing up my January design to get ready for the new year. I am ready to on the beads. I learned many new techniques on that small project. I am enjoying it very much because the instructions are clear and material came out of my stash. Currently I am working on a project called Primitive Garden.
Mostly wool applique but lots of places to add embroidery. I am not know to follow instructions completely but I do enjoy myself. Currently surrounded by a variety of pieces that will be used as the inside jacket of a book. The theme is my trip to France. The top piece, which opens and closes, is a blackstitched outline of a foto I manipulated in Photoshop of the view from our hotel behind the Church of the Madeleine.
Flower boxes were embroidered, and I colored the view using pan pastels. When you open these two pages, you see a large area, divided into three views, united by a white picket fence. The left side is a distant view of countryside farming. The middle view is a wall that reveals an old donjon photo printed on fabric with flowers growing up the sides of the wall, and the right view is of a field of sunflowers. On the picket fence, I have some trailing flowers, some bunnies hiding that I cut from cloth , a bee, a bird and beaucoup lavender plants all embroidered.
It was fun. You can see the project on my blog. Current projects are a 6 inch felt grey and red stocking to be stuffed with catnip, a set of boho sashiko coasters, and a mug rug. I am working on very simple cross stitch that is part of a Lori Holt quilt.
I am getting tired of it at this point and looking forward to something a little more challenging but the finished quilt will be adorable.
I am currently working on a project that I will be teaching next fall. I includes fabric origami, Sashiko and Kantha stitching and applique. My current project is more of a repair… our newly adopted 2 yr old golden retriever found her way to chewing on the corner edge of a Persian carpet. I have been making the 12 trees of Christmas by Mary Corbet.
They are all so cute. I am working on a pillow with a boutis form of quilting. I might add some surface embroidery as well. I am currently working on a goldwork initial letter G for a friend. I traced the G but am only using the design as inspiration. Goldwork is what got me to come back to embroidery back in when I took a class.
I have two other goldwork projects in bags waiting to be finished! Merry Christmas Mary and thank you for all you do for us. Thanks for the giveaway Merry Christmas! It is designed by Mary Long and is done on 18 count canvas using pearl and ribbon. I am still working on a crazypatch pumpkin designed by my wonderful talented friend Marilyn. There is some of everything…embroidery, silk ribbon, beading etc.
I have always wanted to learn Gold Work? Metal embroidery…. Thank you for this opportunity! Wishing everyone a Merry Christmas! I am working on a sampler from HATS.
It is the Sarah Brazier sampler. It is beautiful but very large! I have just finished a stitchery on white felted wool using various embroidery stitches and some applique as a door hanging. Also have finished two cross stitch projects also for gifts. I am currently working on a cross-stitch biscornu, my own design. And I am about to embark on the Nichole needlebook kit that Mary described in a series of blogs right here. It was her description, in fact, that clinched the sale for me. My current embroidery project is a stretch outside my comfort zone.
Oh my, the patterns are breath taking. My project is an embroidered letter B surrounded by a floral and bracketed frame. So far I have only used DMC stranded floss but want to consider using other fibers as the project moves along. This will be one of those months long in progress undertakings, but so fun! Thank you.
The carnation and corn flower petals are all made separately 20 for the corn flower using a set of dyed silk threads woven over a gold or silver thread in a particular pattern which. The particular technique is detached button hole, but the making of the tape measure case, the weaving of braid and other techniques make it challenging.
The clear directions and pictures also make it easy to understand what you are doing. I am currently making a crazy quilt vest for myself. I used a vest pattern, cut the foundation fabric from muslin and proceeded with the crazy patches, and embellisments. I do like their kits — they come with everything needed to do the piece, including their wonderful needles. I like to have my embroidery used, not just displayed, so I do try to make ornaments, table linens, bags, etc.
I am finishing a mixed design. I use a mutiple threads to make the flowers and ruban. If i win i transfert you a photo. I am new to embroidery so the design is simple.
The design is of a hen and it was created from a drawing my father made. I am adding some wild flowers and grass. The flowers add the splash of color. I am enjoying embroidery and find it to be a very relaxing and colorful hobby. I love the dimensional aspect of the stitches, and the beautiful shine of the rayon threads.
I am currently working on a Crazy Quilt wall hanging project that will be in the shape of a giant beetle with a lot of stumpwork and embroidered beetles on it. Is a long term project that will take at least another year. It involves a lot of couching of soft metal twists and Krienik threads.
It has been a challenging piece, but I love it. I have worked with gold on prior pieces and have enjoyed every minute. All of my wips are counted cross stitch which is my passion. Dimensions kit Christmas Beach Chairs is going to be gifted when finished. I finished Christmas Eve and am moving on to Noel. These will be finished as ornaments. It is a dark grey linen blend blouse, and the embroidery is being done in dusty green, cream, and mustard for the blooms.
Nearly there now, just two more flowers and half the little centre circles and then it will be time to finish the blouse construction and wear it! No directions, color or kind of thread, floss, yarns, nor kind of stitches. So, it will be MY piece to create. I stitch and look at it, then say, I did that!
It has all kinds of needlepoint stitches, stumpwork, and some silk wrapped purl. I am currently stitching on a fabric book. I was lucky enough to go to Italy twice and my book will be a kind of scrapbook of my trips. Each page set will feature one city that I visited. There is a pocket on each page set to put a written account of my impression of that city.
Most pages will feature some sort of stitchery that I either purchased there or stitched myself. It is a project that has taken a long time in the planning and replanning.
It is a project that is filled with memories. One trip was with my son as a chaperone and the other was with my Mom as a church trip. I hope to finish it in January so that I can start my projects. The joy is in the stitching. The project I currently have set up is a contemporary goldwork sampler by Katherine Diuguid called All the Buzz. I am patiently working on Around the World in 80 Stitches by Papillon.
I love the freedom it gives you to use whatever fibers — gimpy and purly if you like — and beads to complete the project. I have learned many interesting new stitches and breezed through the familiar ones. I stitched the first in the series back in and have reached into my stash to stich this one, as I have an empty wall in a new home that requires both of them.
I learned the Aztec Stitch in the first sampler and have made several bookmarks using the same in the past. I believe Pat states that it is only found on Mexican samplers and it can be challenging to conquer, but the results are worth the effort. There are 31 different areas in the sampler, and 18 different stitches: I imagine this is going to be quite a challenge. I am hoping to finish by This small paperback is even better with some wonderful line designs for everything garden-related: Trees and flowers; cats and dogs; houses, sheds, streets and cars; outdoor furniture, watering cans, scarecrows, garden tools and wheel barrows; strawberries and cherries; tomatoes and pumpkins; dog kennels and bird houses; birds and owls, squirrels and hedgehogs; insects and fish; pot plants and fruit baskets; and dog walking and cooking.
Each double page design segment is illustrated with a colour photograph of the design, followed by a line drawing specifying stitches and DMC threads and photographs of suggested projects. These include: Tote bags and purses; cushion covers; badges, bracelets and hat bands; jam jar covers, thermos carriers, place mats and coasters; notebooks, boxes and gift tags; and even, bindle sticks.
Another delightful book with some lovely projects from quilts and quilted baskets and bowls to wall hangings, pillows, pin cushions, coasters, scarves, pouches, ornaments, dolls and gardening angels. More Advanced Embroidery Patterns. Firstly, two very beautiful books by Japanese embroiderers, followed by four very stylish French books! I would love to do more, but unfortunately, do not own any books on this topic, though there are many You Tube tutorials online!
I do however own the following books:. I particularly loved her black on white Japanese Garden Bag, as seen on the front cover of the book. Absolutely stunning! Her coin purses, handkerchiefs and Ribbon Flower Evening Bag are also very pretty and appealing! Patterns are included in an envelope in the back. This is a lovely book, which uses patches of embroidery and simple outline stitches in different patterns to make 20 different projects, including wall hangings, bags and pouches, coin purses and pencil cases, baskets and keepsake boxes, and even book covers.
Using patches is a great idea, as they can be embroidered in limited time and space and also allows for a huge degree of flexibility and versatility in their application. For example, I used her nine dog and cat patches without all the quilting on a patchwork cushion rather than her designated wall hanging!
There are ant farms and fishing boats; honeybees and jives; Scandinavian flowers and vases; houses and churches; planes and bicycles; tennis racquets, shoes, bags and Nantucket baskets; trees and flowers; and geometric shapes and lines. Projects are displayed throughout the book, with their patterns at the back Materials; finished measurements; instructions and tips; and lots of diagrams and template patterns , along with notes on embroidering patterns; using embroidery floss and basic embroidery stitches.
I love her muted colour range and will definitely be using more of her designs on future projects! The next four books, while written by different authors, are all a similar size and shape, all belonging to the Made In France range of books produced by Murdoch Books. I am very tempted by the title of the other embroidery book: Sweet Treats in Cross-stitch by Tinou Le Joly Senoville and there is also a knitting and a patchwork book in the range. I am discussing them in order of publication date.
Each project includes a colour photo of the project, a sidebar detailing dimensions, materials, embroidery threads and stitches used; Instructions and cross-stitch charts. Designs include: Written messages; numbers; abstract patterns; feathers; birds swans and seagulls ; and simple stylised trees. In the back is a glossary of haberdashery terms; a few diagrams on mitred-corner hems; and a few tips between friends.
I loved the cross-stitch and embroidery designs in this book, again executed in red, white and blue threads on white and cream, ecru and natural, and navy blue and red cotton and linen fabrics. There is perhaps a little more instruction on basic embroidery techniques than the last book, with introductory notes on getting started and centreing designs; transferring motifs; and a limited stitch library: cross-stitch; stem stitch; back stitch; straight stitch; French knots and detached chain stitch.
The majority of the book and all the projects are divided into three main sections based on colour: Red; White and Blue, though obviously the designs in each section could be embroidered in different colours and on different projects from the other sections. Projects include: Cushions and lampshades; Bed linen, towels, throw rugs and pillow cases; Bags; Aprons and tea towels; Table cloths, runners and napkins; Clothing from vests and shoes to scarves, dresses, smocks and jackets; Pictures and samplers; and handkerchiefs, jam jar covers, markers, book covers and Christmas decorations.
There is a wealth of design ideas from flowers, fruits, animals insects, snails, birds, fish, shells, marine life, tortoises, mice, sheep and cats , feathers, bows, stars, hearts and snowflakes to fairies and angels; Matryoshka dolls, toys and childhood games; figures and leisure activities; silhouettes; the built environment houses, windmills and lighthouses ; teapots and teacups; sewing tools; nautical and seasonal themes; and Christmas, Easter and Good Luck symbols.
So many wonderful designs to choose and a great resource for embroiderers! Designs are classical, traditional and timeless include: Hearts, fruit, leaves and flowers; trees and grasses; feathers, birds and angel wings; suns, moons and stars; hot air balloons and rockets; and chooks, sheep, butterflies and fish. My final book in this range and perhaps my favourite in the series, even though it focuses solely on cross-stitched samplers with no other projects in mind!
The monochrome designs look so effective in just red or blue, though some include different shades of blue. I loved cross-stitching my heart with two doves! This book is also an ideal lead in to my final section:. Another great book for embroiderers with kids in their lives! The introduction includes notes on types of fabrics evenweave linen and Aida ; estimating fabric size; preparing the fabric; embroidery threads; needles and thread holders; reading charts; basic techniques cross-stitch, back stitch and half-stitch ; useful tips; and teaching cross-stitch to children.
In the Nursery , Peter Rabbit and other Beatrix Potter favourites adorn birth samplers, pincushions and lidded boxes; Blinky Bill features on cards and framed pictures; and Babar and his family are embroidered on toys, growth charts and bath wraps.
My youngest daughter loved Paddington Bear, who features on skivvies, place mats, shopping bags and aprons, while her older sister loved Rupert, who features in the next section: Growing Up. I started making a Rupert Christmas stocking, though unfortunately, never finished it, though perhaps it is waiting for her child! I loved the Apple Tree Farm Alphabet sampler. Roll on, grandkids!!! I strongly suspect that I will be using this book extensively!!!
Birds, flowers, trees, garlands and wreaths are cross-stitched in Danish Flower Threads on small mats, runners, table cloths, tray cloths, cushions and wall hangings, made of coarse or fine open weave linen. The right-hand page has a colour plate of the design with a black-and-white cross-stitch chart on the left-hand page.
I love all the designs in this book, particularly the seasonal birds photo below , Spring bulbs and rose wreaths! This book follows a similar presentation and features more beautiful rose patterns; seasonal countryside and town scenes; and house plants in pots in window frames, which can be used to decorate doilies, table cloths, bell pulls, pillows and wall pictures.
I have also used a number of pattern sheets over the years, like this wonderful pig cushion in the photo below:. Book No. The Prairie Schooler: Book No. And finally, for those of you who would like to design your own cross-stitch, there is this last book:.
Grab that grid paper and your coloured pencils and off you go!! However, if you need some inspiration or ideas for projects, then this book should help! Two of her first projects a bell pull and a book cover , which are both very appealing and attractive, use simple geometric flower motifs in a range of four shades of the same colour, the selection made easier by the use of manufacturers shade cards.
She is also inspired by Turkish kilims; folk art motifs; foliage and fruit; sea creatures and single-colour themes like blue and white Dutch windmills. Shirley gives lots of practical advice on cross-stitch design and choice and preparation of of fabrics, as well as instructions for over 20 projects from trinket boxes, pendants, luggage tags and key rings to tablecloths, bath mats, guest towels, aprons, desk sets, framed pictures, footstools and mobiles. And finally, do not forget that wonderful tool, the computer, for converting your favourite photos and images to cross-stitch patterns.
Applique, patchwork and quilting often go hand in and with embroidery, so next month, I am introducing you to some of my favourite books in these areas! In the meantime, Happy Stitching! Embroidery has been practised by traditional peoples from all over the world for thousands of years to decorate their clothing and homeware.
I find its enormous variation, its history, its use of symbolism and its close ties to culture endlessly fascinating and hence, own a number of books on the subject. One of my earliest reference books was:.
She has certainly had an interesting life pursuing her interest in embroidery and has written a large number of books on embroidery. I think the only area missing, apart from Antarctica, is Australia!!! In each chapter, she describes the religious, geographical and cultural factors that have shaped their embroidery.
She discusses the characteristics of local designs, styles and techniques; traditional uses of fabric, yarn and dyes; and universal themes like the tree-of-life, which are interpreted in different ways by the different cultures.
The text is supported by beautiful photographs, drawings, charts and diagrams, as well as adaptations of traditional designs for projects with full instructions. It is a very comprehensive book and even though it is now over forty years old, it is still worth owning!
A slightly more specialised book with a narrower focus on these four areas famed for their embroidery. After defining embroidery and discussing the characteristics of ethnic embroidery, she looks at the embroidery styles and techniques of each area before discussing universal motifs, which appear in all areas: the rose or rosette; the carnation; the Tree of Life; cypress trees; peacocks; and pomegranates.
The rest of the book has a practical emphasis with chapters on stitches and techniques, including: Graphs and line drawings; borders; counted work; spot motifs and embroidered bags. For anyone interested in ethnic embroidery, especially that of China, India, Palestine and Yugoslavia, this book is fascinating. Another book on ethnic embroidery, which has a very practical approach.
Projects include: Clothing, bags, curtains, cushions, rugs, footstools, pictures, bed and table linen and box lids. You will have to read the book to find out what they are!!! Sheila Paine is another embroidery expert, who has led an amazing life through her research. She is a world expert on ethnic textiles and tribal societies, especially the lives of tribal women, and has written a number of books on embroidery.
I love this book! It is so comprehensive and has wonderful photographs! It is divided into four sections titled:. Guide to Identification: Embroidery origins can be identified by regional characteristics: the items embroidered, their cut and fabric; and their decorative materials, stitching, motifs and styles. The Decorative Power of Cult : Universal designs and motifs and their differing depiction in different cultures.
They include: the Great Goddess and her acolytes and associated symbols; Other symbols of fertility; the Tree of Life; the Tree of Knowledge; the Hunt, including notes on horned and antlered animals and shamanism; Birds; and the Sun. The Magical Source of Protection: Discusses the use of embroidery to protect against evil spirits and includes headwear, breastplates and stomachers, shoulders and sleeves, and the sexual region, as well as edgings, seams, pockets, the neck and the hem.
Colour symbolism and the power of red is discussed, as well as key times, when ritual and embroidery play a major part: birth, marriage, burial, funerals, mourning, headhunting, festivities and holy places.
In the back is a dictionary of stitches, a glossary of terms, a bibliography for further reading and a list of museums and embroidery collections, as well as notes on collecting embroidery. This is a fabulous book and essential for serious students of embroidery history and ethnology. Embroidery From Palestine by Shelagh Weir Its origins and influences, cultural context, main types of ornamentation, materials used, different styles and techniques from Galilee, Southern Palestine and Bethlehem, and changes over time are discussed before a detailed appraisal with full colour photographs general and detailed closeups of twenty embroidered items, including coats, dresses, jackets and veils.
Palestinian embroidery is just so beautiful! Written by the Associate Curator of the Eastern Hemisphere Collection of The Textile Museum to accompany a major exhibition with the same name in March of embroidered textiles of the Aegean and Ionian islands and the Epirus region of Greece from the early 17 th century to the early 19 th century.
This amazing collection contains more than 20 textiles and related objects, representing years and 5 continents, including the cultures of the Middle East, Asia, Africa and Indigenous America. This is a very comprehensive and beautiful book with fabulous full colour photographs of seventy items produced for the bridal trousseau and used in domestic life: Traditional dresses, skirts, blouses, bedspreads, valances, pillow cases and bed tent curtain panels, complete with detailed close-ups of embroidery stitches and techniques.
Another catalogue, which accompanied a fabulous international loan exhibition of the same name of colourful urban embroideries and glazed ceramics from the state museum collections of Central Asia, which we attended at the Powerhouse Museum, Sydney in This beautiful book introduces the reader to the Silk Road countries of Uzbekistan, Tajikistan, Kazakhstan, Kyrgyzstan and Turkmenistan, its different peoples and cultures, influences and history, its ancient craft traditions, the role of embroidery and daily lives of women, the symbols and materials used, and the different style and techniques of embroidery and their changes over time.
They are absolutely gorgeous! There is also a large section on ceramics, the flowers of the kiln — its history, glazing styles, potters and wonderful pots dating from the 9 th century. It is certainly a very interesting book! There are some amazingly talented contemporary embroiderers and the following books showcase their inspiring work.
A keen environmentalist and lover of nature, Annemieke embroiders beautiful artwork based on her local flora and fauna: Coastal banksia, eucalypts, wattles and pittosporum and birds white-faced heron, gulls, silvereyes, fantails, blue wrens and fledglings in nests , frogs, reptiles Eastern water dragon , marine creatures sea urchins, barnacles, mussels and kelp and a wide variety of insects dragonflies, grasshoppers, lacewings, beetles, wasps, mayflies, sawflies, butterflies and moths, and caterpillars and cocoons.
These works are showcased in the book, along with notes about the flora and fauna depicted, her thoughts on its design, the techniques and materials used, the development of the piece from initial sketch and fabric swatches to the completed artwork and the history of the piece.
I love the way she often mimics natural history illustrations with the inclusion of pencil sketches and outlines in the background; her setting of the creature in its natural environment and the liveliness of the composition and sense of movement; and the 3-D nature of the work, as well as all her different textures, which make you want to touch her work, and her muted natural colour palette.
She is an incredibly talented artist, who also produces bas-relief bronze sculptures as well! Click on the purple highlighted link for Superb Blue Wrens. Jane is the British equivalent of Annemieke Mein, both in her natural subject matter British flora and fauna and the three-dimensionality of her work. This is a beautiful and very inspiring book. Jane loves to work with silk in its natural undyed state, then mixes and merges dyes, which she paints onto the fabric in a loose painterly style, often crumpling the fabric as she works.
However, the majority of the book is devoted to a detailed discussion of her artworks: their inspiration and conception and their articulation and development, with closeup photographs of particular techniques or points of interest in the particular work. These artworks include:. Her work is so detailed and exquisite and is a celebration of nature and a wonderful source of inspiration, rather than a detailed instruction guide.
Helen is another very well-known British embroiderer, who has written many books and does beautiful work, though it is more two-dimensional and in this respect, more traditional than the previous two contemporary embroiderers. In each section, she discusses their main features, with colour plates of her artworks and notes to illustrate her rendering of each feature.
She imparts her knowledge generously in a chatty conversational style and gives the reader plenty of food for thought. Her love of the British countryside and all its inhabitants is obvious in her lovely depictions of trees and flowers; churches and houses; birds and insects and very cute field mice, hedgehogs, squirrels, rabbits and weasels. I particularly liked the dramatic contrast of the bright silk and metallic threads against a black plain background.
It has allowed her to explore all her passions and show the limitless font of inspiration for embroiderers and artists. Again, the appendices include:. Ellen hails from the United States and also loves her natural world, but she uses the sewing machine to produce her embroidered artworks. Her style is quite bold and modern and very colourful. While the previous artists used their artwork to illustrate particular techniques or points of interest, Ellen presents her artworks straight up at the beginning of the book, followed by technical information on:.
There is so much information in this book and I like its organized presentation. It is a terrific book, especially if like me, you are new to machine embroidery! In my final post on embroidery books next week, I am featuring some terrific pattern books, which I have used many times in my hand embroidery journey!
Here are some suggestions:. Stitch samplers are a great way to practice technique and the colourful sampler at the beginning of this book showcases the twenty embroidery stitches taught. The photo below shows a variety of effects using the same stitch seed or running stitch , but with different thread combinations and colours.
Stitch combinations and patterns are also discussed in detail, along with hints about getting it all together in a finished design. The photo below also shows the variations in the same pattern, which can be produced with the application of different combinations of thread colour.
An excellent book for beginner embroiderers. A comprehensive guide to over 66 stitches and their variations, as well as a number of different embroidery techniques including wool and ribbon embroidery, cutwork, shadow work, Bokhara and Roumanian couching , making eyelets, faggotting, laidwork, and needle weaving.
There are lots of hints throughout the book on transferring designs; materials and needles; threading needles; threads and hoops; finishing and framing; thread painting and even, left-handed stitching. I liked this book for its presentation, each stitch with its own page of photographed step-by-step diagrams, variations and suggestions for use.
An even more comprehensive coverage in a neat simple compact format. The book is divided into five sections:. Finished Embroidery : Caring Cleaning, ironing and storing and display mounting, framing, lining and hanging.
All stitches are well explained with annotated diagrams and coloured photographs. An excellent dictionary of embroidery stitches for both the beginner and more advanced embroiderer. It is so much fun playing with all the different stitches and colours! The stitches in each family are further divided into six categories of progressive difficulty, starting with the basic stitch and developing increasingly sophisticated variations. A very logical and comprehensive guide!
A mix between an embroidery guide and a dictionary of stitches, I quite liked the more personal chatty style of this book with its all lovely stitch samplers, historical photographs and gallery of applications. She also has notes on finishing and using embroidery samplers; creating borders; working with geometric designs; working on plain and printed fabrics; embroidering flower shapes; joining and edgings; and suggestions for the use of embroidery on clothes, wall hangings and space dividers, and table cloths and runners and cushions.
The basic premise behind this book is that embroidery is basically mark making or drawing with a needle and thread instead of a pencil. It covers the journey from inspiration and ideas to marks on paper and in stitch and finally, the completed artwork. Next, mark making on a range of different papers with pens, pencils and crayons; using resists; monoprinting with finger patterns, textured surfaces and blocks; and framing and presenting works.
Below is a photo of my unconventional stitch sampler portraying Blanket and Chain stitches, including Detached Chain and Lazy Daisy stitches. Stitch marks follow with notes on needle and thread selection, hand-stitched marks running stitch, including radiant and spiral stitch patterns; loop stitch; knots and ties including reef knots and French knots ; machine-stitched marks free-machined marks,single marks, massed stitch marks, all-over stitch marks, continuous lines, dots webs and tufts, layered stitch marks, and working with single or mixed and contrasting colours.
My creativity really went wild with my next piece of experimentation! With lots of practical exercises, this book is all about experimentation and exploration and developing your own creative voice and potential. The cushion above is another form of stitch sampler in both the vase and the different flowers! Embroidery has been a perfect medium to decorate bags and purses for millennia. It starts with an examination of the history of purses, as well as different purses from around the world.
Did you know that 17 th century sweet purses contained perfumed powders to counteract bad odours and were hung from the belt and secreted in the folds of the skirt, while Chinese men and women also wore incense purses around the neck or waist, no doubt for a similar reason. The next chapter discusses the role of the purse as a container and the process of purse design- its shape, sources of inspiration, equipment, material, pattern making, colour, decoration and finishing.
Quite inspiring, as I have always wanted to design a purse based on the seedpods of Native Frangipani! The book goes on to examine different types of purses: simple two-sided purses, folded purses, reverse-appliqued silk clutch purses, gusseted purses, drawstring purses and box purses, including patterns and variations and a gallery of photographs.
Finishing techniques, including making bias strips, rouleaux and borders; bound edges; using bondaweb and cutting bonded fabrics; English and Seminole patchwork; lace making; canvaswork; cords, handles and tassels; embellishments with embroidery stitches and beads; and fastenings are all discussed. Perfect for craftspeople with a shared love of the garden AND embroidery!
Diana Lampe has written six books, however I only own the first and the third. She is also a passionate food writer with some delicious recipes on her website as well! But back to my two books! Both books follow a similar format and can stand alone on their own merit and be used separately. After initial chapters on materials and equipment, design and proportion, finishing and framing and sewing notes, Diana describes various designs and projects, accompanied by colour photographs and keyed diagrams.
A large section of her books is devoted to a Flower Glossary , detailing threads, number of strands and stitches and method, with explanatory diagrams on each page.
Not only plants are featured. The flower glossary is followed by a Stitch Glossary , with instructions and diagrams for each type of embroidery stitch. The appendix includes a list of flowers in each garden design, as well as the DMC threads used; and detailed notes on framing. Stumpwork is a style of heavily padded and raised embroidery, practiced from to in England, where it was called known raised or embossed work, but now given new life and exposure by Jane Nicholas. She certainly does beautiful work and has made an extensive study of the subject in response to the dearth of comprehensive instruction at the time.
Materials and Equipment : Fabric, threads cotton, silk, synthetic and metallic , needles, hoops and frames, beads and sequins, wire and miscellaneous treasures;. General Instructions : Raised applied fabric or needlepoint shapes; padded needle lace or embroidered shapes; raised detached fabric, needle lace or wire shapes; methods for working leaves and stems; attaching wire to the main background; padding with felt; using paper-backed fusible web; transferring designs to fabric tracing paper and pencil, carbon paper, basting ; and finishing techniques framing and mounting inside a box lid, in a paperweight, or on a brooch ; and.
With ideas and detailed instructions for embroidering different designs for a variety of projects from brooches to pictures and mirror frames, as well as a Stitch Glossary of all the embroidery stitches used in the back of the book.
This lovely book develops 3-D embroidery even further with the depiction of flora and fauna. I really like their style, which I feel is more informal than the previous book. Kitchen and Dining Room: Tablecloths and tray cloths, serviettes and place mats, tea towels and aprons, oven mitts and pot holders, tea cosy and mesh food cover;. They are divided into 12 colour groupings: Oyster, yellow, salmon, pink, red, burgundy, brown, lilac and lavender, blue, indigo, and grey, black and white.
Materials, instructions and colour photographs are provided for each embroidery design, with a stitch glossary and design patterns in the back of the book. It is a really beautiful book! In this original and specialised book, Janet explores a wide range of construction methods, including coiling with wrapped cords, building with flat pieces, fabric manipulation with tucks and gathers and using heat-reactive or dissolvable fabric to create 3-D forms, including boxes, bags and advanced geometric shapes and freeform embroidery pieces.
After initial chapters on the design brief, research, mulling time, the design process and a wide variety of materials, tools and equipment, different construction methods are discussed, including practice exercises and projects:.
Constructing with Flat Pieces : Geometrics; squares and rectangles; gift boxes; triangles; cylinders; and strips and slices and freeform.
Fabrics : Gathering, tucks and pleats, darts, stuffed shapes; heated acrylic felt or Tyvek; and knitting and weaving;. Finishing Techniques : Edges and rims; wire armature; wood or card base; wire support; feet; and lids. Like the first book in this post, it has an experimental bias and is all about exploring new boundaries! Next week, I will be featuring books about some wonderfully creative and talented contemporary embroiderers, as well as informative books about ethnic embroidery around the world.
After years of experimenting with different arts and crafts, I have settled on embroidery as my favoured form of artistic expression, specifically hand embroidery. It is basically a form of drawing with thread and allows for much creative freedom in interpretation of subject matter, as well as a degree of three-dimensionality if desired. As can be expected, I own many wonderful books on the subject, which I have divided into four groups and hence posts from basic embroidery this post to more specialised how-to guides and stitch dictionaries next week ; beautiful volumes showcasing the work of other talented embroiderers, as well as those from the past and different cultures third post on embroidery books ; and a plethora of pattern books and designs last post.
Here is another simple example of drawing with thread: Please note that while some of these books may briefly mention machine embroidery, it is not really my thing, so there are very few books on this subject in this post. Written by a number of contributors, this is a good basic introductory guide to the wide range of embroidery techniques and styles from counted techniques cross stitch, blackwork and canvas work and openwork pulled and drawn work, Hardanger and cutwork to surface stitchery whitework, shadow work, silk shading, crewel work, free embroidery and machine embroidery and embellishing the surface stumpwork, ribbon embroidery, goldwork and beadwork.
Here is a photo of my cool colour palette threads. There is also a good introduction with information on needles; sewing machines; embroidery frames; tools; fabrics; threads; embellishments; basic techniques; working from charts and diagrams; making up; sources of inspiration; developing design ideas; exploring colour palettes; and painting fabrics. Below is a photo of more tools of the trade: Pins and needles, scissors, ruler and embroidery hoops of varying sizes.
Each section on the different techniques includes its history, characteristics and different forms; stitches and techniques, including sources of inspiration and helpful hints; and projects based on the specific technique. This is an excellent book for beginners, as well as showing the wide diversity of embroidery styles and applications.
Beginning with Just Five Stitches backstitch, French knot, lazy-daisy stitch, satin stitch and blanket stitch , it progresses from chapters on stems and outlines, knots and dots, and chains and loops through to solid and open fillings, borders and bands; and mix and match combining techniques, adapting designs and changing materials and colour schemes. This sampler shows the use of chain and running stitch. This is an excellent book for the beginner embroiderer! While there are a huge number of embroidery books written by some very talented artists, these are a few that I have found particularly useful.
Winsome was a very talented artist and a wonderful teacher, who wrote three books on embroidery and toymaking in the late s, which have all since been reprinted. This is my embroidery bible! Not only does she describe and teach all the stitches basic, more complicated and filling stitches well, but she has delightful designs and patterns for projects from pincushions, tea cosies, wall pockets, cushions, boxes and cloth trays to bags, belts, caps, and toys like my felt embroidered balls, shown in the photo below.
I would also love to buy her book: Decorative Stuffed Toys for the Needleworker I own two of her books:. After an excellent introduction to the history; the different national styles of embroidery Norway, Denmark, Sweden, Portugal, Turkey, Greece, Cyprus, Hungary, Roumania and Yugoslavia ; tools and equipment, especially threads and fabrics; and a library of basic free embroidery stitches, Barbara discusses lettering, alphabets and monograms; beads and sequins; and designs and finishing touches, as well as other techniques like cutwork, counted thread work, drawn thread work and machine embroidery.
Aimed at 9 to 12 year-olds, this is a terrific book for teaching children to sew. Text is minimal with the tuition provided by wonderful simple sketches and fun designs, which make it a very attractive book for the beginner embroiderer as well!
This spiral-bound book, complete with threads, needles and an embroidery hoop, teaches 11 basic embroidery stitches: Straight stitch; couching stitch; whip stitch; cross stitch; satin stitch; stem stitch; back stitch; split stitch; chain stitch; lazy daisy stitch; and French knots. It provides instructions on materials and tools; getting started; and transferring designs, as well as including iron-on transfers and lots of inspiring ideas and examples of work using these stitches.
It is colourful and fun and very child-centred! Jan Messent Jan is a very talented embroidery artist and textile teacher and also writes historical romances under the pseudonym, Juliet Landon. This useful book acts as an embroidery primer, as well as encouraging lots of experimentation through a series of practical exercises. This book features one of my favourite subject matters: animals and nature.
Chapters look at the historical depiction of animals in embroidery; sources of design nature, books, museums and natural history museums and collecting materials; types of design realistic or naturalistic, stylised or decorative, symbolic, abstract ; pattern and colour; and ways of presenting a design, before focusing in on the animals and their associations themselves:. Underwater life microscopic organisms, sea anemones and sea urchins, jellyfish, starfish, shells and fish ;.
Amphibians and reptiles frogs and toads; lizards, geckos and chameleons, snakes, crocodiles and turtles, tortoises and terrapins ;. A very inspiring book!
Thanks to all the previous artists, embroidery is now considered to be a very valid contemporary art form. The next two books are written by contemporary embroidery artists and teachers to help embroidery students achieve their creative potential.
Design sources nature and museum studies and approaches are examined next with discussions on landscapes, enlarging designs, textures and colour, followed by chapters on drawing and painting and transferring the design to fabric fabric paints and markers; transfer paints and crayons; and design transfer methods prick and pounce; and tacking through tissue.
Stitchery forms a major part of the book with exercises and projects based on linear, textural, and pattern stitches. In the back is practical information on using a embroidery frame or hoop; damp-stretching; mounting and framing; and making a cushion cover. It again is a very inspiring book with beautiful colourful photographs showing the huge potential of the medium. Jan Beaney and Jean Littlejohn have also written a book on Constance Howard, an embroiderer born in , whose work I also love and who also taught and who wrote a number of books on embroidery Conversations with Constance Howard Mary Buckle Next week, I will be discussing a selection of stitch dictionaries, as well as some more specialised embroidery guides.
I adore felt, not just for its tactile and visual appeal, but also its versatility, its organic nature and its history and romance. Here is a photo of Ada taller and her sister Kathleen in front of one of their shyrdaks. Felt can also be used to make clothing, hats, bags, cushions, flowers and toys and you will see some of my felt creations throughout this post.
I have also attended a number of workshops, which I will also describe along the way, but first the books! In it, she describes the ancient history of felt, its traditional production and use throughout the world and the cultural beliefs and symbolism behind the patterns. It has played a central role in the lives of nomads from Central Asia, Mongolia and parts of the Middle East, the lightweight, portable and highly insulating wool being used for tent walls yurts , floor coverings, decorations, bags and clothing.
After the Medieval period, felt became a well-established tradition in Europe with felt boat caulking and other felt objects from the 9 th to 13 th Century found at Haithabu on the German-Danish border; British felt hats from the 15th Century; and Scandinavian gloves and socks and Russian valenki felt boots from the early 20 th Century. Traditional feltmaking is still practiced by Central Asian and Mongolian nomads, as well as practitioners in Turkey and Iran, while experimentation by contemporary artists is producing some wonderful garments and toys.
This fascinating book looks at its extensive history, the science behind felt and the wide variety of feltmaking techniques and traditions.
She particularly focuses on the Turkic and Mongolian feltmakers of Krygyzstan, Kazakhstan, Uzbekitan, Turkmenistan and Xinjiang, as well as Mongolia, Tibet, Bhutan and South-East Asia, and the closely related styles from Afghanistan and the Caucasus: their influences and their belief systems and symbolism. With fabulous photos and illustrations supporting the text, it is such an interesting book, not only for feltmakers and textile enthusiasts, but anyone interested in archaeology and history, anthropology, different cultures and the Silk Road!
If you only have room for one felting book in your library, the following book is an excellent reference guide. Includes 46 Creative Projects by Christine White The introduction defines the different kinds of felt fulled knitting, wet felting, needle felting, nuno felting, cobweb felting, carved felt and yarn felt ; history; suitable fibres; the chemistry behind felting; and the whole process from fleece to felt.
It also includes instructions for a simple needle felted ball and a Featured Artist page, an inspiring inclusion, which is found at the end of successive chapters. Chapter Three introduces beginner projects like making cords photo below and spikes; loops and beads; jellyroll trivets; buttons and balls. Chapter Four: Learning the Basics covers working with roving; making prefelts; wet felting; calculating shrinkage and a Frequently Asked Questions page, as well as projects like place mats and table runners, blankets and cushions.
Chapter Five really examines the raw material, wool: where to find it, how to test its feasibility and materiality; making felting samples and the types of fibres and sheep wool, including a swatch gallery. Projects include math mats, place mats, carved coasters, upholstery yardage and a boot tray.
After mastering simple 2-D items, developing felters will be keen to try out making 3-D seamless felt, which is the main topic of Chapter Six.
Two flat halves are separated by a resist, the fibres at the side being joined in a seam during the felting process. Pillow covers, book covers, slippers and boots, vessels, sculptural objects like the photo above and below made using an old butter cooler as a resist and a myriad of creative bags can be produced in this way, not to mention hats, the subject of Chapter Seven , from berets and head-hugging cloches to hoods, wide-brimmed hats, fedoras and some very artistic and creative examples.
Hat sizes; making hat templates; using hat blocks, and stiffeners and embellishments are all discussed. Anita Larkin is a sculptor, who uses felt to create some amazing 3-D vessels and objects.
There is an extensive glossary and list of artists, resources and relevant websites in the back. An excellent book! I belonged to the Victorian Feltmakers and some of the memorable workshops I attended were:. Phyllis is a great teacher too! She is so enthusiastic and fun! Here she is behind our workshop dolls. The grey bird dolls are samples of her work. Below are photos of my fabric pre- and post-felting. I loved my earth goddess Gaia , even though I forgot to sew in a base!
My strange alien creature left a bit to be desired, but gave me a feel for creating 3-D toys.
Please make sure that you are posting in the form of a question. Please enter a question. Kit contains wool yarn, cotton thread, printed felt, beads and pre-sorted sequins, needle, and easy instructions with an alphabet. Also needed but not included: tissue paper and stuffing.
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Please try again later. Image Unavailable Image not available for Color:. Available from these sellers. Feltworks "Sledding Santa" Felt Applique Stocking Kit Use simple applique and embroidery stitches to make a cheery holiday stocking measuring 18" diagonally Kit includes yarn, cotton thread, printed felt, beads, sequins, needle, instructions with an alphabet for personalization Also needed, but not included: tissue paper and stuffing A retired kit, crafted with pride in U.
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